I'm glad writer-director Andrea Arnold kept this detail quiet; if she had revealed it early on, Fish Tank might have come across as a broad-stroke essay in chav anthropology. As it is, there's little in the film that doesn't ring true: Fish Tank is as convincing a picture of life on the Essex estates as Arnold's debut Red Road was of a similar Scottish milieu. If Fish Tank isn't quite as good as its predecessor, it's only because Red Road's eerie existential-thriller aspect made it a distinct anomaly in British film. Altogether more familiar, Fish Tank could almost be considered an archetype of Brit realism, of scuffed school-of-Loach working-class drama.
Fish Tank, Andrea Arnold, mins, (15) | The Independent
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